The Gawthorpe Textiles Collection is on the move to ensure the legacy left by Rachel Kay-Shuttleworth MBE lives on for future generations. A collection of over 30,000 textile and craft items that has been housed at Gawthorpe Hall for more than half a century has been carefully relocated to Northlight in Brierfield. The charity will retain its public gallery space within the hall, which is undergoing a redisplay as part of the investment in the collection’s future, so visitors can continue to enjoy the internationally renowned collection of global textiles in Padiham. The collection’s new home is a redeveloped cotton mill which has stunning historical features of its own as well as a textile heritage. Northlight offers the space and flexibility to store and continue to grow the collection, as well as providing a modern, fit-for-purpose workshop space to increase public access to this important educational collection. Linda Drury, Director of Gawthorpe Textiles Collection, said: “When I joined the charity last year the trustees were already considering moving the collection from the hall as moisture and damp building up in the storage area was starting to impact on some items within it. “Northlight offers us a more practical space and we are looking forward to welcoming people through our doors once the unboxing process has been done! “Moving a collection of such enormity and value has taken a lot of logistical planning and we are very grateful to all of our wonderful staff and volunteers who have played their part in making it happen.” Lord Shuttleworth, Chairman of Trustees and Rachel Kay-Shuttleworth’s great nephew, explained: “Rachel wanted to use creativity and craft for the good of the community as she believed it was the key to unlock health, social and economic prospects for those most in need. “Her dedication led her to open her home in Gawthorpe Hall to the public and she campaigned tirelessly to raise the funds needed to secure its future during her lifetime. “While Rachel’s work is synonymous to Gawthorpe Hall, it felt like the right time to move the collection to ensure its longevity for generations to come. "Our vision as a charity remains to develop a centre of excellence for textile learning based around the collection and this move is a significant step in achieving that. “We cannot thank the team enough for working tirelessly to make this happen and we look forward to a bright future at Northlight.” Recent funding from The National Lottery Heritage Fund and Key Fund’s Northern Cultural Regeneration Fund have helped support the move.

Thanks to funding support from the National Lottery Heritage Fund, this year we are running a programme of artist led free workshops across Burnley and Pendle. We have appointed four artists to generate exciting, high quality creative opportunities for people from the local community to engage with the collection. These free workshops will use the textiles of GTC as the catalyst for creative activities, learning new skills, meeting people and making friends. Meet the Artists: Nayna Lad Artist Nayna Lad is 48 years old, of Indian heritage and she currently resides in Liverpool. Having always had a passion for art, she knew it was something that she wanted to do as she got older. Nayna is formally trained to degree level having studied Interior Design and then in the year 2000 she trained to become an Art Teacher. Nayna says that she loved working with children, it was incredibly rewarding not just teaching a subject but also supporting them into adulthood. In 2018 she decided on a career change to become a freelance visual arts facilitator and she has never looked back: “I love how varied my workshops are from delivering to toddlers right through to the elderly, being involved with drop-in sessions through to longer projects. I work with a wide range of media, but my favourite is printing, textiles and clay and I’m always developing my skill set and learning new techniques to create interesting and creative workshop concepts.” Printing, Embroidery and Embellishment Textiles workshops Nayna will be running a series of ten free textiles workshops at Burnley Mechanics commencing on Wednesday 21st June from 10am to 12 noon to Wednesday 19th July, followed by a summer break and recommencing on Wednesday 6th September until 4th October. To find out more or register to join the workshops, please contact Bev by email at b.lamey@gawthorpetextiles.org.uk Julia Swarbrick Julia Swarbrick is a visual artist primarily working as a painter-printmaker. Her background incorporates the fields of Fine Art, Performance and Public engagement. She has over a decade’s experience delivering visual arts workshops in a wide range of settings with a particular interest in the museum and heritage sector, looking at ways to enliven collections and engage audiences through art practice. Julia finds inspiration in the natural world around her, in the historical, in the personal and the imagined. Found elements from the natural world combined with mental biography are the rich source for the images she creates; using painting and printmaking as mediums that compliment and inform one another. Her work explores her external and immediate environment alongside the internal world of imagination and storytelling. Julia has exhibited across the UK and internationally. Exhibitions include Liverpool Biennial, The Harris in Preston, The Bluecoat, Liverpool, and the Spectrum Gallery in Perth, Australia. Her own work has been inspired by working with the museums’ collections. She is a regular at Blackburn Museum and Art Gallery where she has held two solo shows and regularly delivers workshops. Printmaking Workshops Julia is running a series of ten free weekly printmaking workshop s at Gannow Community Centre in Burnley from Tuesday 27th June from 10am to 12.30pm until September 5th. For more information and to sign up for the workshops please contact Bev at b.lamey@gawthorpetextiles.org.uk Nazia Sultana Artist Nazia Sultana is based in Nelson, Lancashire. She graduated from Cleveland College of Art and Design in International Textiles and Surface Design. Although Nazia is primarily a textile artist, she also loves to work with other subjects including print, calligraphy and fine art. Her work reflects who she is and what she loves: “I love using a variety of mixed media on my work. I love nature and am hugely influenced by the intensity of colours and surfaces of the world around me, and my work shows this in varying degrees.” Nazia is interested in creating new and exciting techniques that further layer her work and make it unique and different. Decorative Textiles Workshops Nazia has worked with a group of participants at the DEEN Centre in Brierfield to create artworks with a strong ethos of upcycling and sustainability. The workshops included a visit to source materials from charity shops – garments, bags of sequins, and jewellery which were combined with discarded items we typically throw away and undervalue such as leaves twigs crushed bottle tops bits of metal etc. to create beautiful artworks.

A popular item from the Gawthorpe Textiles Collection was the inspiration for a stunning piece of art adorning a Padiham gable wall. Artist Chris Butcher transformed the blank canvas wall on Church Street, into a mural called ‘Up the Hill’, representing the town’s industrial heritage as a textile producer. The artwork features two tram cars, with passengers on board and surrounding the trams are examples of textile work inspired by our very own Gawthorpe Textiles Collection, on display at the nearby Gawthorpe Hall. So, what do we know about the item on which Chris based his artwork? The peacock panel was embroidered by Rachel Kay-Shuttleworth as a present for her parents, Ughtred and Blanche, for their Golden Wedding anniversary in 1921. She chose cloth of gold for the background fabric and had it framed in an ornate gilt frame made by the Medici Society. This panel of embroidery is worked in a technique known as laid work where long stitches are laid down first to fill in the shapes and then secured with smaller couching stitches. The design of a vase, exotic flowers and a pair of peacocks was sketched out by Rachel’s cousin Valerie, Lady North and is taken from one of the carved and pierced parapets up in the galleries of St Mark’s Cathedral, Venice. Rachel worked on this piece while she was recovering from typhoid fever and perhaps this is why she chose the laid work technique as it allows large areas to be covered relatively quickly. The embroidery uses many colours of silk floss thread that Rachel arranged carefully to create beautiful gradients and is further embellished with gold metal threads and iridescent beetle wings on the peacocks’ tails. Linda Drury, director of the Gawthorpe Textiles Collection, said: “The piece is on permanent display in Gawthorpe Hall and is one of the most iconic pieces in the collection, so it’s really fitting that this was the piece chosen to be represented in the mural. "It also has a strong link to the Shuttleworth family, who were so instrumental in supporting the communities of Padiham and Burnley. “The peacock as a symbol of resurrection is also quite fitting with the regeneration of the high street and we are so happy that Chris chose this for his eye-catching mural.” The mural was brought to life with the help of the Padiham Gable Art Project Steering Group including local businesses and groups, Mid Pennine Arts, Padiham Archives and Gawthorpe Hall. It forms part of the Gable Arts Project, which aims to bring the vibrant history of Padiham to life as part of the wider £1.4million Townscape Heritage scheme funded by the National Lottery Fund. The Gable Ends Project was supported by Burnley Council, Padiham Town Council, local businesses and residents.

The Lancashire Textile Treasures programme has been granted a six-month extension and will now finish at the end of October. Gawthorpe Textiles Collection was one of several successful organisations awarded funding by The National Lottery Heritage Fund Digital Skills for Heritage, to raise digital skills and confidence across the UK heritage sector. Lancashire’s Textile Treasures: Connecting Communities; Curating Heritage was a two-year collaborative project between the Textiles Collection, University of Central Lancashire, and Super Slow Way. New director for the Gawthorpe Textiles Collection, Linda Drury, said: “While this funding came in long before my time, I am delighted that I will now get to carry out work on this project due to its extension. “The partnership project was to use heritage textiles as a catalyst for engaging and upskilling community members to become digital community curators, building connections, sharing knowledge and skills. “Through community events and engagement, we were able to explore the cultural significance of textiles, learning from participants, creating connections, and drawing out personal, cultural, social and heritage-based stories. “We also worked with other heritage venues, archives, and commercial organisations within the region and beyond to digitally map textile heritage assets. “The extension enables us to fully collate the results of this programme and celebrate its many successes.”

Gawthorpe Textiles Collection has a new director at the helm and she has an impressive portfolio of charity experience. Linda Drury is a highly experienced charity, finance and project manager who has held senior positions with both regional and national charities. She became aware of the Gawthorpe Textiles Collection whilst studying for a City and Guilds in embroidery and when the position for director was announced, she decided to apply. Linda said: “I was immediately drawn to the history of the collection and was full of admiration for Rachel Kay-Shuttleworth’s passion to preserve traditional craft skills and to share knowledge, skills and expertise across cultures. “I was delighted to hear that I had been accepted for this once in a lifetime opportunity. Now, settled into the role, I am finding out new things about the collection every single day and it is truly fascinating. “There are some 30,000 items within the collection from around the world and each piece plays an important role in unpicking the heritage of embroidery and textiles. Many are intricate pieces created by Rachel Kay-Shuttleworth herself or collected as part of her avid learning journey. “It really is a treasure trove of textile memorabilia and I am proud to be able to join the team in sharing these items with public as she would have wished. “We have recently started work on a new, 18-month project called ‘Cherish the Past, Create for the Future’. “Funded by the National Lottery Heritage Fund, this project will build on Rachel Kay-Shuttleworth’s vision and help us to promote the collection as a centre of excellence for textile-based learning. Lord Charles Shuttleworth, Chairman of Trustees and the great nephew of Rachel Kay-Shuttleworth, said of Linda’s appointment: “We are delighted to welcome Linda as director of the Gawthorpe Textiles Collection. “She brings a wealth of experience to the collection and I speak for all fellow trustees when I wish her every success in her new role.” Prior to joining the Gawthorpe Textiles Collection, Linda was Head of Operations with a national charity involved in refugee resettlement. Before this, she worked with two federated charities to support their members in developing their strategic plans, diversifying their income, and growing their organisations. Linda has a Business Degree, a Post Graduate Diploma in Management, and an MBA. She has also worked in community learning and is an experienced trainer. Linda replaces former director Charlotte Steels, who is now Cultural Strategy Manager for Burnley but pleased to be continuing to work with the Gawthorpe Textiles Collection as a trustee.

New opportunities to work with GTC.

Thanks to National Lottery Players GTC is embarking on a new 18 month project to redisplay and improve access to the Collection.

FREE online talks programme exploring ethical and sustainable textile practice.

14-18 year olds - take part in the 2022 Re: Fashion Challenge in Blackburn this August